‘无限之镜’介入亚美尼亚北部城市久姆里一处公园的改造项目。该亭子朝向十九世纪重要要塞塞夫贝德（Sev berd），并呼应此地历史上的关键事件。亭子作为观景点，顶部覆以镜面材质。镜面反射将‘亚美尼亚母亲’雕像与另一重要元素相连，以此象征亚美尼亚人民的力量、韧性与守护精神。该亭由此成为这些品质的象征性镜像，强调力量之映像与无限可能的理念。设计方案可采用镜面表皮与黑色内壁，以呼应当地黑色凝灰岩（black tuff）的地材特征。这一镜面元素所生成的神秘象征性，可重塑该空间入口，导向新的视角；同时，该亭亦成为众多到访公园儿童动态互动的游戏场所。

The reflection of infinity enters a redevelopment of a park in the city of Gyumri in northern Armenia. The orientation of the pavilion is towards the Sev berd, an important nineteenth-century fort, and the events in the history of this place. The pavilion serves as an observation point covered with a mirroring element. This reflection connects the statue of Mother Armenia to another important element, representing in this way the strength, resilience, and protectiveness of the Armenian people. The pavilion could serve as a symbolic reflection of these qualities, emphasizing the idea of a mirrored image of strength and infinite possibilities. The design could incorporate reflective surfaces and a black painted interior to symbolize the connection with the black tuff. The reflection of this element creates a mysterious symbolism capable of regenerating the entrance of this space towards new perspectives. At the same time, the pavilion becomes a dynamic game for the many children who visit this park.