波浪想象——无论是在文学还是科学领域，波既普遍存在又充满神秘色彩。在地球的日常环境中，仅有少数可见的连续介质能产生可观测的波，如水波；而在人类尺度上的体验更为罕见，冲浪者是少数能够进入海浪内部的人群之一。建筑作为人造结构，通过静态系统形成固定空间，以满足人们在平面内进行活动与休憩的需求。因此，将其与波等动态系统进行直接类比颇具挑战。仅在滑板池等固定场所中，人们才能体验到动态起伏。近年来，Scenic Architecture Office 的作品始终聚焦于三个方向：“院落聚落”、“住宅延伸”和“自由细胞”。其中，“自由细胞”旨在通过技术与空间体验的融合探索新的建筑形式。山水的连续起伏、传统建筑屋顶的集群、细胞的复制以及信息的传递，均与波具有形态上的关联。我们持续思考波的形态是否能为建筑的未来提供进一步启示。金海湖的“Wave Cube”项目为我们提供了难得的探索机会。

Wave Imaginary — Whether in literature or science, waves are both ubiquitous and mysterious. In the everyday environment of Earth, only a few visible continuous media generate observable waves, such as water waves, while experiences at the human scale are even rarer, with surfers being among the few who can enter the interior of ocean waves. As a man-made structure, architecture is formed through static systems that create fixed spaces to meet human needs for activities and rest within flat surfaces. Consequently, it is challenging to draw direct comparisons with dynamic systems like waves. Only fixed locations such as skateboarding pools provide an experience of dynamic undulation. In recent works by Scenic Architecture Office, the focus has consistently been on three directions: "courtyard settlement," "extension of homes," and "free cell." Among these, "free cell" explore new architectural forms through the integration of technology and spatial experience. The continuous undulation of mountains and waters, the traditional clustering of architectural rooftops, the reproduction of cells, and the transmission of information all share a morphological connection to waves. We have been continuously thinking whether the morphology of waves could offer further insights for the future of architecture. The "Wave Cube" project by Jin Hai Lake has provided us with a rare opportunity for exploration.